Under the sea

Dance Piece (2016) by Melbourne based artist Stephanie Hicks is currently on show at Wide Open Road Art. Using digital and traditional collage techniques Hicks creates an underwater dream scape.

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Dance Piece (2016) Stephanie Hicks
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Dance Piece ( 2016) Stephanie Hicks
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Dance Piece  (2016) Stephanie Hicks

Organic Plastic

Organic Plastic (2016) by Melbourne artist Carolyn Cardinet is currently installed at Wide Open Road. We opened Cardinet’s show on Saturday 12 March in conjunction with Castlemaine Arts Open.

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Organic Plastic (2016) detail 1

Cardinet’s sculptural work is created from everyday man-made objects and materials from nature collected from her surroundings. The artist’s interest lays in reconnecting societies to the way we handle waste in our precious environment.

cardinet opening

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For more information, contact helen@wideopenroadart.com

Clare Davies launch

Artist Clare Davies launched her show Rocks and Sky, Castlemaine (2016) on Saturday 6 February.

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Rocks and Sky, Castlemaine (2016) detail 1
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Rocks and Sky, Castlmaine (2016) detail 2
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Rocks and Sky, Castlemiane (2016) detail 3

Clare’s work consists of laboriously constructed hand-made beads,  a decorative element that contrasts with her semi-abstract photographs.

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Humble Sausage

Humble sausage features recent works by local artist Simon Disler.

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Humble sausage (2016) detail 1
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Humble sausage (2016) detail 2
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Humble sausage (2016) detail 3

The humble sausage occupies Australians’ consciousness and valuable bbq real estate virtually every summer day – nobody really knows what’s in them and we silently agree it’s probably better not to ask. The work explores this symbol of food production, resources-use and ritual time-spending.

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Josie and the Constellations

Last Saturday saw the launch of Melbourne-based mixed-media artist and academic Clare McCracken’s Josie and the Constellations (2015) at the Wide Open Road window boxes. 

Josie and the Constellations (2015), detail 1
Josie and the Constellations (2015), detail 1
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Josie and the Constellations (2015) detail 2

For thousands of years cultures have looked at the night sky, drawing lines between the stars to create constellations. For each culture these shapes have shifted and changed to reflect both the objects in their immediate surroundings and the myths that dominate their identity. In Josie and the Constellations, McCracken playfully looks at the constellations of the past, while imagining both the observation deck, and constellations, of contemporary Australia. The work explores place and identity through narrative, images and installations, as part of McCracken’s ongoing project to interrogate our connection to place as well as finding ways to encourage communities to develop a relationship with their local milieu.

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Artist Clare McCracken

For more information, contact helen@wideopenroadart.com or call 0425 878 075.

Luceo non Uro (I Shine, Not Burn)

Luceo non Uro (I Shine, Not Burn) by Brenna Jenson is our latest installation at Wide Open Road Art.

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Luceo non Uro (I Shine, Not Burn), Brenna Jensen, 2015, silk and stainless steel yarn, linen, copper filament, wool & stainless steel yarn, hemp paper thread, wild Cricula silk cocoons and spun Circula silk fibre, thread, redwood timber Victorian silk spindles
Luceo non Uro (I Shine, Not Burn), Brenna Jensen, silk and stainless steel yarn, linen, copper filament, wool & stainless steel yarn, hemp paper thread, wild Cricula silk cocoons and spun Circula silk fibre, thread, redwood timber Victorian silk spindles
Luceo non Uro (I Shine, Not Burn), Brenna Jensen, 2015

These knitted cocoons are inspired by delicate woven structures found in nature, specifically the Urodid moth cocoon and incorporate fine threads of silk, linen, wool, copper and stainless steel. The golden cocooons are wild-harvested silk cocoons of the Cricula silk moth which has been spun onto silk spindles.

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Detail 1
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Detail 2

Like many floating wombs, these life-giving vessels, interwoven from a continuous thread, represent fate and destiny. They are reminiscent of Victorian gas mantles with their metallic impregnated fibres that glowed to light the path. The title refers to the motto of the blacksmiths who desire to fashion metal to the point of shining.

For more information, contact Wide Open Road Art at helen@wideopenroadart.com or 0425 878 075.

Launched!

Castlemaine’s new and compact art space, Wide Open Road Art, was launched on Friday evening to coincide with the opening of the Castlemaine State Festival. 

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Our 2015 program has been kicked off  with works by Wide Open Road Art curators  and Helen Mathwin and Susie Elliott

Susie Elliott and Helen Martin, Our Mary Still no. 2, 2015, first panel
Susie Elliott and Helen Mathwin Mary Still no. 2, 2015, cotton thread on velvet, first panel
Susie Elliott and Helen Martin, Our Mary Still no. 2, 2015, second panel
Susie Elliott and Helen Mathwin Mary Still no. 2, 2015, thread, velvet, acrylic paint, Perspex, second panel
Wide Open Road curators Helen Martin and Susie Elliott
Wide Open Road Art curators Helen Mathwin and Susie Elliott

For more information please contact helen@wideopenroadart.com or 0425 878 075